The publication brings jointly some of the most sensible identified commentators and students who write approximately former Yugoslavia. The essays specialize in the post-Yugoslav cultural transition and take a look at to respond to questions on what has been received and what has been misplaced because the dissolution of the typical nation. lots of the contributions should be obvious as present makes an attempt to make experience of the prior and aid cultures in transition, in addition to to record on them.
The quantity is a mix of own essays and scholarly articles and that mix of genres makes the ebook either relocating and informative. Its value is exclusive. whereas many experiences live at the reasons of the loss of life of Yugoslavia, this assortment touches upon those reasons yet is going past them to spot Yugoslavia's legacy in a finished approach. It brings issues and writers, often taken care of individually, into fruitful conversation with each other.
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Additional resources for After Yugoslavia: The Cultural Spaces of a Vanished Land (Stanford Studies on Central and Eastern Europe)
Zorić joins his authors in mapping imperative Europe as a literary “versatile trope of pluralistic space,” a metaphor instead of a political union. checked out as a bunch, those chapters map out a territory just like the non-public essays that open and shut the amount, drifting west from Yugoslavia to principal Europe. Djokić means that Yugoslav tradition won't solely vanish; Milutinović argues that it'll and that it is a tragedy; and Zorić interrogates significant Europe as a substitute utopia. All 3 texts are eager about shared tradition, cultures in discussion, and cultures as dialogic; all flip with curiosity to marginal, borderline, or digital areas equivalent to the Yugosphere. Zorić’s examine deals attention-grabbing parallels to the ultimate essay through Ugrešić, interpreting the significant ecu substitute as a republic of letters. The Danube River runs in the course of the literature, suggesting continuity and circulate in either area and time, a robust snapshot of the cultural/phenomenological adventure of imperative Europe. five The 3rd half, “Legacies of Yugoslavia: Cultural Returns,” is created from chapters via Mitja Velikonja, Gordana P. Crnković, and Marijeta Božović, targeting what cultural strains stay or upward thrust back within the submit- Introduction 9 Yugoslav areas. All 3 texts step again in time with a view to circulate ahead. now not coincidentally, all 3 chapters take care of tradition extra extensively: Yugo-music, posters, journals and avant-garde layout, or the movie profession of Rade Šerbedžija. Nonliterary arts, or initiatives that come with different media in addition to language, have a neater time crossing and blurring borders. those chapters flip to the Frankfurt institution and Western Marxist thinkers for the instruments to discover leftist subversions of capitalist/neocapitalist tradition. Crnković unearths a good neighborhood idea in Krleža, the “Croatian Sartre,” and Božović within the magazine Zenit, an try to spark an across the world proper Balkan avant-garde. either chapters ask yourself at those radical subversions of Yugoslavia earlier than kingdom socialism, and at their classes for transitional areas in a globalized global. In “‘Something Has Survived . . . ’: Ambivalence within the Discourse approximately Socialist Yugoslavia in Present-Day Slovenia,” Velikonja takes thought from a 2009 billboard ads a favored radio station with the silhouette of Yugoslavia and the promise to play extra “yugo” track than different stations. The silhouette is seductive; unique “Balkan events” are already well-liked by the Slovenians. Velikonja evaluations the hot “EUrocentrism” and Balkanophobia, and analyzes the 2003 movie Kajmak i marmelada (Cheese and Jam, within the unlucky English translation) as common of dominant nationwide discourses. the beautiful blonde Slovenian heroine leaves her criminally macho Bosnian boyfriend: they attempted, yet they're simply “too different”—the message is apparent. And but, iconic photographs borrowed from socialist Yugoslavia function idea to various “anti-establishment leftist teams like alterglobalists, pacifists, punks, anarchists, left-oriented scholars, and others who're battling for a extra simply international.